{"id":3250,"date":"2016-08-18T18:43:44","date_gmt":"2016-08-18T18:43:44","guid":{"rendered":"http:\/\/shakespeareargentina.org\/en\/?p=3250"},"modified":"2016-08-18T19:53:53","modified_gmt":"2016-08-18T19:53:53","slug":"shakespeares-creative-legacies","status":"publish","type":"post","link":"https:\/\/shakespeareargentina.org\/en\/shakespeares-creative-legacies\/","title":{"rendered":"Shakespeare\u00b4s Creative Legacies"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\"><p>FSA is proud to have contributed to the\u00a0extraordinary book <em>Shakespeare&#8217;s Creative Legacies<\/em> edited by Dr. Paul Edmondson, Head of Research at The Shakespeare Birthplace Trust (SBT) and Dr.\u00a0Peter Holbrook, Chair of The International Shakespeare Association (ISA) published by The Arden Shakespeare, Bloomsbury .<\/p>\n<p><strong>About Shakespeare&#8217;s Creative Legacies:<\/strong><\/p>\n<p><em>We celebrate Shakespeare as a creator of plays and poems, characters and ideas, words and worlds. But so too, in the four centuries since his death in 1616, have thinkers, writers, artists and performers recreated him. Readers of this book are invited to explore Shakespeare&#8217;s afterlife on the stage and on the screen, in poetry, fiction, music and dance, as well as in cultural and intellectual life. A series of concise introductory essays are here combined with personal reflections by prominent contemporary practitioners of the arts. At once a celebration and a critical response, the book explores Shakespeare as a global cultural figure who continues to engage artists, audiences and readers of all kinds.<\/em><\/p>\n<p><em>Includes contributions from: John Ashbery, Shaul Bassi, Simon Russell Beale, Sally Beamish, David Bintley, Michael Bogdanov, Kenneth Branagh, Debra Ann Byrd, John Caird, Antoni Cimolino, Wendy Cope, Gregory Doran, Margaret Drabble, Dominic Dromgoole, Ellen Geer, Michael Holroyd, Gordon Kerry, John Kinsella, Juan Carlos Liberti, Lachlan Mackinnon, David Malouf, Javier Mar\u00edas, Yukio Ninagawa, Janet Suzman, Salley Vickers, Rowan Williams, Lisa Wolpe, Greg Wyatt.<\/em><br \/>\n<em>All proceeds from the sale of this volume will be donated to the International Shakespeare Association, to support the study and appreciation of Shakespeare around the world.<\/em><br \/>\n<em>Table of contents<\/em><br \/>\n<em>Foreword Stanley Wells<\/em><br \/>\n<em>Poem: Torn from Shakespeare&#8217;s Journal Roger Pringle<\/em><\/p>\n<p><em>Introduction: Great Creating Shakespeare Paul Edmondson and Peter Holbrook<\/em><\/p>\n<p><em>Part One: Essays<\/em><br \/>\n<em>Shakespeare and the Theatre Paul Prescott<\/em><br \/>\n<em>Shakespeare and Poetry Sukanta Chaudhuri<\/em><br \/>\n<em>Shakespeare and Music Tom Bishop<\/em><br \/>\n<em>Shakespeare and Dance David Fuller<\/em><br \/>\n<em>Shakespeare and Opera Penny Gay<\/em><br \/>\n<em>Shakespeare and the Novel Graham Holderness<\/em><br \/>\n<em>Shakespeare and Film and Television Russell Jackson<\/em><\/p>\n<p><em>Part Two: Further Reflections<\/em><br \/>\n<em>John Ashbery \u2013 Shaul Bassi \u2013 Simon Russell Beale \u2013 Sally Beamish \u2013 David Bintley \u2013 Michael Bogdanov \u2013 Kenneth Branagh \u2013 Debra Ann Byrd \u2013 John Caird \u2013 Antoni Cimolino \u2013 Wendy Cope \u2013 Gregory Doran \u2013 Margaret Drabble \u2013 Dominic Dromgoole \u2013 Ellen Geer \u2013 Michael Holroyd \u2013 Gordon Kerry \u2013 John Kinsella \u2013 Juan Carlos Liberti \u2013 Lachlan Mackinnon \u2013 David Malouf \u2013 Javier Mar\u00edas \u2013 Yukio Ninagawa \u2013 Janet Suzman \u2013 Salley Vickers \u2013 Rowan Williams \u2013 Lisa Wolpe \u2013 Greg Wyatt<\/em><\/p>\n<p><em>Shakespeare&#8217;s Legacy of Storytelling Indira Ghose<\/em><\/p>\n<p><em>Poem: William Shakespeare: 1616-2016 Paul Edmondson<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3255\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/Shakespeare-Creative-Legacies-1-1.jpg\" alt=\"Shakespeare Creative Legacies\" width=\"1280\" height=\"960\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/Shakespeare-Creative-Legacies-1-1.jpg 1280w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/Shakespeare-Creative-Legacies-1-1-300x225.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/Shakespeare-Creative-Legacies-1-1-768x576.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/Shakespeare-Creative-Legacies-1-1-1024x768.jpg 1024w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3253\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/combinado-creative.jpg\" alt=\"combinado creative\" width=\"1216\" height=\"1024\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/combinado-creative.jpg 1216w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/combinado-creative-300x253.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/combinado-creative-768x647.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/combinado-creative-1024x862.jpg 1024w\" sizes=\"(max-width: 1216px) 100vw, 1216px\" \/>See links:<\/p>\n<p><a href=\"http:\/\/www.bloomsbury.com\/us\/shakespeares-creative-legacies-9781474234498\/\">http:\/\/www.bloomsbury.com\/us\/shakespeares-creative-legacies-9781474234498\/<\/a><\/p>\n<p><a href=\"https:\/\/www.amazon.co.uk\/Shakespeares-Creative-Legacies-Arden-Shakespeare\/dp\/1474234496\">https:\/\/www.amazon.co.uk\/Shakespeares-Creative-Legacies-Arden-Shakespeare\/dp\/1474234496<\/a><\/p>\n<p>FSA is very grateful for the acknowledgment of our collaboration.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3258\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/post-creative.jpg\" alt=\"post creative\" width=\"1348\" height=\"1964\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/post-creative.jpg 1348w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/post-creative-206x300.jpg 206w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/post-creative-768x1119.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/post-creative-703x1024.jpg 703w\" sizes=\"(max-width: 1348px) 100vw, 1348px\" \/><\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>FSA is proud to have contributed to the\u00a0extraordinary book Shakespeare&#8217;s Creative Legacies edited by Dr. Paul Edmondson, Head of Research at The Shakespeare Birthplace Trust (SBT) and Dr.\u00a0Peter Holbrook, Chair of The International Shakespeare Association (ISA) published by The Arden Shakespeare, Bloomsbury . About Shakespeare&#8217;s Creative Legacies: We celebrate Shakespeare as a creator of plays [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3251,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[223,219,233],"tags":[],"class_list":{"0":"post-3250","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-library","9":"category-news"},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2016\/08\/Shakespeare-Creative-Legacies-.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6elWy-Qq","_links":{"self":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/3250"}],"collection":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/comments?post=3250"}],"version-history":[{"count":5,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/3250\/revisions"}],"predecessor-version":[{"id":3267,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/3250\/revisions\/3267"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media\/3251"}],"wp:attachment":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media?parent=3250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/categories?post=3250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/tags?post=3250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}