{"id":4961,"date":"2018-08-21T21:26:38","date_gmt":"2018-08-21T21:26:38","guid":{"rendered":"http:\/\/shakespeareargentina.org\/?p=4961"},"modified":"2018-10-06T06:03:04","modified_gmt":"2018-10-06T06:03:04","slug":"charles-ney-in-argentina","status":"publish","type":"post","link":"https:\/\/shakespeareargentina.org\/en\/charles-ney-in-argentina\/","title":{"rendered":"Charles Ney in Argentina"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\"><p>Fundaci\u00f3n Shakespeare Argentina (FSA) and\u00a0<em>Universidad del Salvador (USAL)<\/em>\u00a0are proud to have hosted Dr. Charles Ney in Argentina.\u00a0Dr. Ney\u00a0delivered two lectures at USAL in Buenos Aires and Pilar. His lectures in Argentina referred to his wonderful research &#8220;<em>Directing Shakespeare in America&#8221;<\/em>\u00a0and were much appreciated by students, teachers,\u00a0researchers and enthusiasts. The lectures were translated into Spanish in a collaborative activity with Translation &amp; Interpretation students\u00a0and teachers from USAL.<\/p>\n<p>We thank\u00a0<em>Texas State University<\/em>\u00a0for making possible for Dr. Ney to visit our country.<\/p>\n<p><strong>Watch the video:<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/292867629?app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" title=\"Charles Ney en Argentina\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p><span style=\"color: #3366ff;\"><strong>BUENOS AIRES:<\/strong><\/span><\/p>\n<p>Professor Ney`s Conference took place on\u00a0<span style=\"color: #000000;\"><strong>\u00a0Thursday September 27th 2018 \u00a018:00 hs at the Main Hall of USAL in Lavalle 1854, (Buenos Aires).<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5044\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-USAL-FSA-Post.jpg\" alt=\"\" width=\"1448\" height=\"1409\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-USAL-FSA-Post.jpg 1448w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-USAL-FSA-Post-300x292.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-USAL-FSA-Post-768x747.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-USAL-FSA-Post-1024x996.jpg 1024w\" sizes=\"(max-width: 1448px) 100vw, 1448px\" \/><\/strong><\/span><\/p>\n<p><span style=\"color: #3366ff;\">\u00a0<span style=\"color: #333333;\">Carlos Drocchi (FSA) , Ver\u00f3nica Repetti, (USAL) Mercedes de la Torre (FSA) &amp; Charles Ney\u00a0<\/span><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5038\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-con-estudiantes-2.jpg\" alt=\"\" width=\"1800\" height=\"1430\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-con-estudiantes-2.jpg 1800w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-con-estudiantes-2-300x238.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-con-estudiantes-2-768x610.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-con-estudiantes-2-1024x814.jpg 1024w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-con-estudiantes-2-378x300.jpg 378w\" sizes=\"(max-width: 1800px) 100vw, 1800px\" \/><\/strong><\/span><\/p>\n<p>Carlos Drocchi, Bianca Dasso, Victoria Cucchiaro, Mercedes de la Torre &amp; Charles Ney<\/p>\n<p><span style=\"color: #3366ff;\"><strong>\u00a0PILAR:<\/strong><\/span><\/p>\n<p>The Conference took place\u00a0<strong>on Friday Septiember 28th<\/strong><strong>\u00a02018 \u00a014:30 hs<\/strong> \u00a0at Campus Nuestra Sra. del Pilar, Champagnat 1599, Ruta Panamericana, Acceso Norte km 54,5 .<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5030\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-.jpg\" alt=\"\" width=\"1275\" height=\"870\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-.jpg 1275w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar--300x205.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar--768x524.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar--1024x699.jpg 1024w\" sizes=\"(max-width: 1275px) 100vw, 1275px\" \/><\/p>\n<p>Mercedes de la Torre, Charles Ney, Tiggie Donati &amp; Carlos Drocchi<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5017\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Neyen-la-USAL.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Neyen-la-USAL.jpg 1024w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Neyen-la-USAL-300x225.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Neyen-la-USAL-768x576.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Carlos Drocchi y Charles Ney <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5042\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/IMG_8180.jpg\" alt=\"\" width=\"1442\" height=\"1329\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/IMG_8180.jpg 1442w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/IMG_8180-300x276.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/IMG_8180-768x708.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/IMG_8180-1024x944.jpg 1024w\" sizes=\"(max-width: 1442px) 100vw, 1442px\" \/><\/p>\n<p>Carlos Drocchi, Charles Ney, Mercedes de la Torre &amp; Nuria Gomez Belart<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5032\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-con-estudiantes.jpg\" alt=\"\" width=\"1280\" height=\"1120\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-con-estudiantes.jpg 1280w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-con-estudiantes-300x263.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-con-estudiantes-768x672.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-con-estudiantes-1024x896.jpg 1024w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>Eliana Heinrich, Roc\u00edo Ledesma, Charles Ney, Mercedes de la Torre, Ana Clara Falabella &amp; Daniela Balabanian<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5028\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar.jpg\" alt=\"\" width=\"2016\" height=\"1512\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar.jpg 2016w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-300x225.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-768x576.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-Pilar-1024x768.jpg 1024w\" sizes=\"(max-width: 2016px) 100vw, 2016px\" \/>Eliana Heinrich, Charles Ney, Carlos Drocchi, Mercedes de la Torre, Tiggie Donati &amp; Nuria Gomez Belart<\/p>\n<p>More pictures at:<a href=\"https:\/\/bit.ly\/2IAFhih\">\u00a0https:\/\/bit.ly\/2IAFhih<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Interview to Carlos Drocchi (Director of the FSA) on Dr. Charles Ney`s visit:\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.mixcloud.com\/ecomedios\/carlos-drocchi-dir-ejecutivo-fundacion-shakespearearg-la-otra-agenda-260918\">https:\/\/www.mixcloud.com\/ecomedios\/carlos-drocchi-dir-ejecutivo-fundacion-shakespearearg-la-otra-agenda-260918<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Brief Bio <\/strong><\/p>\n<p>Charles Ney is a professor in the Department of Theatre &amp; Dance of the Texas State University where he is head of directing. Past positions include artistic director at Idaho Repertory Theatre, Manhattan Clearing House, and Mary Moody Northern Theatre.<br \/>\n\u200b<br \/>\nCharles has directed at the Kennedy Center (Top Girls), Manhattan Theatre Club (Going After Cacciato), Illinois Shakespeare Festival (The Comedy of Errors), Texas Shakespeare Festival (Measure for Measure, Cymbeline, The Comedy of Errors), Idaho Repertory Theatre (A Midsummer Night\u2019s Dream, Two Booths and a Lincoln, Lost in Yonkers), Mary Moody Northen Theatre (Medea, Chicago, Fences, The Threepenny Opera, Playboy of the Western World), and Zach Theatre (On Golden Pond). His Texas State directing credits include A A Midsummer Night&#8217;s Dream, Richard III, As You Like It, Macbeth, Much Ado About Nothing, Going after Cacciato (world premiere of Romulus Linney\u2019s adaptation of Tim O\u2019Brien\u2019s novel of the same title), A Little Night Music, Transposing Shakespeare, and Tongue of a Bird. Acting credits include Leonard in Seminar, Polonius in Hamlet, Henry Boyd in The Two Lives of Napoleon Beazley (for which he was nominated outstanding lead actor \u2013 Austin Circle of Theatres) and Nonno in \u200bNight of the Iguana.<\/p>\n<p>He holds a PhD in Theatre from the University of Illinois and an MFA in Directing from Southern Methodist University where he spent an additional year\u2019s training in their MFA acting program. He also has a BFA is from Illinois Wesleyan University. He was chair at the University of Idaho and taught at St. Edward\u2019s University. He also heads a study abroad course, &#8220;Shakespeare in England&#8221;, every summer featuring classes with RSC actors at the Birthplace Trust in Stratford-upon Avon and with London theatre professionals at the Globe Theatre.<\/p>\n<p>Since 2004 he has traveled to Shakespeare theaters coast to coast, interviewing over 70 artistic directors and directors about their working methods and productions. He has written articles for American Theatre on his work and just finished part two of book series, <strong>Directing Shakespeare in America:<\/strong><\/p>\n<p>Part one <em>Directing Shakespeare in America:\u00a0Current Practices<\/em><\/p>\n<p>Part two <em>Directing Shakespeare in America: Historical Perspectives<\/em>.<\/p>\n<p>Both are being published by Bloomsbury&#8217;s Arden Shakespeare division.<br \/>\n\u200b<\/p>\n<p><strong>Directing Shakespeare in America:\u00a0<em>Current Practices<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4953 aligncenter\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Directing-S-in-America-Charles-Ney-1.jpg\" alt=\"\" width=\"420\" height=\"645\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Directing-S-in-America-Charles-Ney-1.jpg 420w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Directing-S-in-America-Charles-Ney-1-195x300.jpg 195w\" sizes=\"(max-width: 420px) 100vw, 420px\" \/><\/p>\n<p><em>In this first substantive study of directing Shakespeare in the USA, Charles Ney compares and contrasts directors working at major companies across the country. Because of the complexities of directing Shakespeare for audiences today, a director&#8217;s methods, values and biases are more readily perceptible in their work on Shakespeare than in more contemporary work. Directors disclose their interpretation of the text, their management of the various stages of production, how they go about supervising rehearsals and share tactics. This book will be useful to students wanting to develop skills, practitioners who want to learn from what other directors are doing, and scholars and students studying production practice and performance.<\/em><\/p>\n<header><em><strong>Reviews<\/strong><\/em><\/header>\n<header><\/header>\n<section><em>\u201c[Ney&#8217;s] research is impressive and unique.\u201d\u00a0\u2013\u00a0 <span class=\"textSourceTitle\">Times Literary Supplement<\/span><\/em><em>\u201cMr. Ney sets a new standard for the study of directing Shakespeare in the USA, deftly interviewing leaders in the field and opening up the remarkable visions, unique processes and historical research that drives the production of the Bard&#8217;s work in festivals and theatres nationwide. . . . No doubt, Directing Shakespeare will be a welcome text for classrooms worldwide providing students with the &#8220;best practices&#8221; of notable directors . . . It&#8217;s also a great read for seasoned professionals seeking a glimpse into the personalities and process of many of America&#8217;s most successful directors.\u201d\u00a0\u2013\u00a0 <span class=\"textSourceTitle\">Quarto<\/span><\/em><em>\u201cCharles Ney&#8217;s Directing Shakespeare in America: Current Practices is an illuminating and much-needed resource for directors, scholars, students, and Shakespeare aficionados \u2026 Ney demonstrates a remarkable ability to curate this wealth of wisdom in a way that is compelling and easy to follow \u2026 The book is engaging as a straight read-through, but it&#8217;s equally useful for the reader that wants to skip ahead and explore concise essays on various topics, such as approaches to table work, or how to navigate tech and previews. These practices are invaluable for directors of Shakespeare, but can be more broadly applied as resources for directing any kind of live theatre \u2026 Ney&#8217;s book astonishingly avoids privileging one approach over another. This is a study that attempts to truly capture diverse approaches and contextualize them \u2026 This book is an effective snapshot of an incredibly diverse body of work and a must read for Shakespeare directors, scholars, and enthusiasts.\u201d\u00a0\u2013\u00a0 <span class=\"textSourceTitle\">Journal of American Drama and Theatre<\/span><\/em><em>\u201cNey and his interviewees convey the vitality of performances recreated through the eyes of those who headed them \u2026 The book records stage practices at a moment in time when some of the boldest directors are relaying their understanding of Shakespeare&#8217;s theatre by scanning its longer history of production.\u201d\u00a0\u2013\u00a0 <span class=\"textSourceTitle\">Methods: A Journal of Acting Pedagogy<\/span><\/em><em>\u201cNey&#8217;s incisive introductions to each chapter cogently frame the emergent patterns of thought vis-\u00e0-vis each topic without eliding their inherent contradictions and complexities and could well stand on their own as a survey of contemporary practice that is both wide-ranging and rich in detail. Political, practical, and aesthetic issues all get a thorough and inclusive treatment bound to stimulate lively discussion in graduate level directing seminars \u2026 In addition to the immense practical value of its nuts and bolts approach to the entire arc of the directing process the book also provides a kind of meta-analysis of the beliefs and positions beneath the surface of contemporary Shakespearean practice and this is, perhaps, the book&#8217;s most compelling feature \u2026 Its potent combination of practical wisdom and abstract reflection make it a truly stimulating read for novice and veteran directors alike.\u201d\u00a0\u2013\u00a0 <span class=\"textSourceTitle\">Shakespeare Bulletin<\/span><\/em><em>\u201cDirecting Shakespeare is as much a tribute to prominent American directors of Shakespeare as a presentation of critical approach to staging Shakespeare&#8217;s plays \u2026 The book often reads like a roundtable discussion on directing, with Ney deftly leading the discussion \u2026 Throughout the book, readers will find pragmatic advice, amusing anecdotal examples, humor, and brutal honesty. Beginning directors will find Ney&#8217;s approach especially helpful because they can read the book from cover to cover for guidance through the directing process. It is likely that other directors will turn to the book for valuable insight while they are in the process of directing their own Shakespearean productions \u2026 It adds valuable insight and specific geographic perspective that is often absent in Elizabethan theatre studies \u2026 Ney uses the thoughts, reflections, and opinions of this broad group of directors and companies to create a wide-ranging, thoughtful, and inspiring conversation on the directing process and the purpose of theatre.\u201d\u00a0\u2013\u00a0 <span class=\"textSourceTitle\">SDC Journal<\/span><\/em><\/p>\n<p><em>\u201cIlluminates the process of bringing Shakespeare&#8217;s plays to life on stage and makes an important contribution to both theatre history and theatre practice \u2026 Actors will find out what is required of a Shakespearean performer and what it takes to get hired in the first place. Critics and scholars will find a useful context to help them view and analyse the work. I would certainly recommend this book to anyone preparing to work with one of these directors, all of whom remain active in the profession.\u201d\u00a0\u2013\u00a0 <span class=\"textSourceTitle\">Voice and Speech Review<\/span><\/em><\/p>\n<\/section>\n<p>See more on\u00a0<strong><em>Directing Shakespeare in America:\u00a0Current Practices<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/www.bloomsbury.com\/uk\/directing-shakespeare-in-america-9781474239844\/\">https:\/\/www.bloomsbury.com\/uk\/directing-shakespeare-in-america-9781474239844\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Directing Shakespeare in America:\u00a0<em>Historical Perspectives<\/em>\u00a0<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4954 aligncenter\" src=\"http:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Directing-S-in-America-Charles-Ney-2.jpg\" alt=\"\" width=\"420\" height=\"630\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Directing-S-in-America-Charles-Ney-2.jpg 420w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Directing-S-in-America-Charles-Ney-2-200x300.jpg 200w\" sizes=\"(max-width: 420px) 100vw, 420px\" \/><\/p>\n<p><em>This unique and comprehensive study reviews the practice of leading American directors of Shakespeare from the late nineteenth to the end of the twentieth century. Charles Ney examines rehearsal and production records, as well as evidence from diaries, letters, autobiographies, reviews and photographs to consider each director&#8217;s point of view when approaching Shakespeare and the differing directorial tools and techniques employed in significant productions in their careers.<\/em><\/p>\n<p><em>Directors covered include Augustin Daly, David Belasco, Arthur Hopkins, Orson Welles, Margaret Webster, B. Iden Payne, Angus Bowmer, Craig Noel, Jack O&#8217;Brien, Tyronne Guthrie, John Houseman, Allen Fletcher, Michael Kahn, Gerald Freedman, Joseph Papp, Stuart Vaughan, A. J. Antoon, JoAnne Akalaitis, Paul Barry, Tina Packer, Barbara Gaines, William Ball, Liviu Ciulei, Garland Wright, Mark Lamos, Ellis Rabb and Julie Taymor. Directing Shakespeare in America: Historical Perspectives offers readers an understanding of the context from which contemporary practitioners operate, the aesthetic philosophies to which they subscribe and a description of their<\/em><\/p>\n<header><em><strong>Reviews<\/strong><\/em><\/header>\n<header><\/header>\n<section><em>\u201cCharles Ney&#8217;s book is a revelation-the research is impeccable and the anecdotes, directing lessons, visions, egos, mistakes and inspiration are brilliant as tools for seasoned or aspiring Shakespeareans.\u201d\u00a0\u2013\u00a0 <span class=\"textAuthor\">Dr. Jim Volz, Editor, Shakespeare Theatre Association&#8217;s Quarto, USA, <\/span><\/em><em>\u201cFor any and all lovers of Shakespeare this book is a fascinating resource. It has absolutely changed my perception of the ground we stand on as Shakespeare producers in the 21st century.\u201d\u00a0\u2013\u00a0 <span class=\"textAuthor\">Bill Rauch, Artistic Director, Oregon Shakespeare Festival, USA, <\/span><\/em><em>\u201cCharles Ney provides an invaluable service distilling more than a century of stage practice into a compelling narrative that reminds us from whence we come &#8211; a must-read for any practitioner of Shakespeare the world over.\u201d\u00a0\u2013\u00a0 <span class=\"textAuthor\">Ethan McSweeny, Artistic Director, American Shakespeare Center.<\/span><\/em><\/section>\n<p><em><strong>See more on <\/strong><strong>Directing Shakespeare in America<\/strong>:\u00a0<strong>Historical Perspectives<\/strong><\/em><br \/>\n<a href=\"https:\/\/www.bloomsbury.com\/us\/directing-shakespeare-in-america-9781474289696\/\">https:\/\/www.bloomsbury.com\/us\/directing-shakespeare-in-america-9781474289696\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Related article:<a href=\"http:\/\/shakespeareargentina.org\/en\/fsa-with-charles-ney\/\">\u00a0http:\/\/shakespeareargentina.org\/en\/fsa-with-charles-ney\/<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>Fundaci\u00f3n Shakespeare Argentina (FSA) and\u00a0Universidad del Salvador (USAL)\u00a0are proud to have hosted Dr. Charles Ney in Argentina.\u00a0Dr. Ney\u00a0delivered two lectures at USAL in Buenos Aires and Pilar. His lectures in Argentina referred to his wonderful research &#8220;Directing Shakespeare in America&#8221;\u00a0and were much appreciated by students, teachers,\u00a0researchers and enthusiasts. The lectures were translated into Spanish in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5047,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[135,229,233,249,231],"tags":[],"class_list":{"0":"post-4961","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-activities","8":"category-education","9":"category-news","10":"category-recent-activities-en","11":"category-teach-with-shakespeare"},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2018\/08\/Ney-en-USAL-post.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6elWy-1i1","_links":{"self":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/4961"}],"collection":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/comments?post=4961"}],"version-history":[{"count":5,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/4961\/revisions"}],"predecessor-version":[{"id":5079,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/4961\/revisions\/5079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media\/5047"}],"wp:attachment":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media?parent=4961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/categories?post=4961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/tags?post=4961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}