{"id":5203,"date":"2019-02-04T20:37:48","date_gmt":"2019-02-04T20:37:48","guid":{"rendered":"http:\/\/shakespeareargentina.org\/?p=5203"},"modified":"2019-02-10T22:50:07","modified_gmt":"2019-02-10T22:50:07","slug":"fsa-with-irina-brook","status":"publish","type":"post","link":"https:\/\/shakespeareargentina.org\/en\/fsa-with-irina-brook\/","title":{"rendered":"FSA with Irina Brook"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\">\n<p>Fundaci\u00f3n Shakespeare Argentina interviews Irina Brook <\/p>\n\n\n\n<p>Watch the video:<\/p>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/315153863?app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" title=\"FSA Entrevista a Irina Brook\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The interview with Irina took place in Prague (Czech Republic) last January during the <em>Shakespeare Theatre Association<\/em> 2019 Conference, organised by <em>Prague Shakespeare Company.<\/em><\/p>\n\n\n\n<p>Thanks Irina! <\/p>\n\n\n\n<p>We also wish to thank STA and Prague Shakespeare Company.<\/p>\n\n\n\n<p>Here we share a video where famous football players recite Shakespeare during the festival <em>Shake Nice <\/em>organised by Irina in France last year.<\/p>\n\n\n\n<p>Watch the video:<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/PhP-A2Nzx1Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>IRINA BROOK: Brief Bio<\/strong><\/p>\n\n\n\n<p>Daughter of director Peter Brook and actress Natasha Parry, Irina Brook was born into the acting profession. Born in Paris, she grew up between England and France. At the age of 18, she went to study the dramatic arts with Stella Adler and appeared in several Off Broadway theatre productions. Returning to Paris, she performed under the stage direction of her father in The Cherry Orchard at the Bouffes du Nord. She next moved to London for a whole series of roles in cinema, television productions and on stage.<\/p>\n\n\n\n<p>The first play she directed &#8211; Beast on the moon by the American Richard Kalinoski &#8211; was performed in London in May 1996. It was at this time that Irina discovered her calling as a director. Deciding to focus on this, she directed Madame Klein by Nicolas Wright and Shakespeare\u2019s All\u2019s well that ends well. In 1998, she directed the French version of Beast on the moon (Une B\u00eate sur la lune) at the Th\u00e9\u00e2tre Vidy-Lausanne, then at the MC 93 in Bobigny and finally, after an international tour, to the Th\u00e9\u00e2tre de l\u2019\u0152uvre in Paris. The show picked up prizes in five categories at the Moli\u00e8re Awards (including Best Director and Best Private Theatre Play). She also directed a television version, for which she received the Mitrani prize at the FIPA [Festival International de Programmes Audiovisuels in Biarritz].<\/p>\n\n\n\n<p>Irina is one of the rare directors who, at the invitation of Ariane Mnouchkine, has directed the Th\u00e9\u00e2tre du Soleil troupe and with whom she revisited All\u2019s well that ends well at the Avignon Theatre Festival.<br>\nIn 2000, she directed R\u00e9sonances by Katherine Burger at the Th\u00e9\u00e2tre de l\u2019Atelier. This went on to win her a Moli\u00e8re for the Best Female Newcomer as well as the SACD prize for Emerging Talent. <br>\nShe adapted and directed an all age group version of Homer\u2019s Odyssey, for the Sartrouville festival.<\/p>\n\n\n\n<p>Irina went on to direct Juliette and Rom\u00e9o, first at Vidy-Lausanne and then at the Th\u00e9\u00e2tre National de Chaillot in 2002; followed by Dancing at Lughnasa by Bernard Friel at the Th\u00e9\u00e2tre de Vidy and at Bobigny, which then went on to tour, including Tokyo; Tennessee Williams\u2019 Glass menagerie in 2001 at the Th\u00e9\u00e2tre de l\u2019Atelier, co-produced by the Th\u00e9\u00e2tre Vidy-Lausanne; The Good Person of Szechwan by Brecht in Lausanne and at the Th\u00e9\u00e2tre National de Chaillot, followed by a one year tour. Then came The Bridge of San Luis Rey based on the novel by Thornton Wilder, starting at the Th\u00e9\u00e2tre Vidy-Lausanne and going on to the Th\u00e9\u00e2tre de Sceaux; Marivaux\u2019s L\u2019\u00cele des esclaves, performed at the Th\u00e9\u00e2tre de l\u2019Atelier.<\/p>\n\n\n\n<p>In February 2008, Irina was once again invited to direct The Glass Menagerie, this time with Japanese actors at the New National Theatre of Tokyo.<br>\nShe devised En attendant le songe\u2026 a six-man version of A Midsummer Night\u2019s Dream, originally produced by the Dedans-Dehors festival in Br\u00e9tigny for outdoor performances in France and Switzerland. The play was programmed for three weeks at the Villeneuve-l\u00e8s-Avignon festival, before heading off on a French and international tour, with a month at the Bouffes du Nord (December 2007).<br>\nThe show was performed more than 300 times in France, Canada, New York and further afield.<\/p>\n\n\n\n<p>In 2008, Irina formed her own theatre company in collaboration with Olivier Peyronnaud at the Maison de la Culture in Nevers. Around this time, she directed Somewhere\u2026 La Mancha based on the story of Don Quixote, which was performed at the Villeneuve-l\u00e8s-Avignon festival in July 2008. This show toured throughout France and Europe (Amagro festival, Yerevan Festival amongst others\u2026)<br>\nPassionate about music, Irina went on to stage several operatic productions. She began with The Magic Flute, co-directed with Dan Jemmett, for the Reisopera in the Netherlands, under the direction of Ton Koopman.<\/p>\n\n\n\n<p>She directed Eugene Onegin at the Aix-en-Provence festival, followed by La Cenerentola initially at the Th\u00e9\u00e2tre des Champs-\u00c9lys\u00e9es, then at the Teatro Communale de Bologne and finally at the Royal Opera of Stockholm. Irina went on to direct La Traviata, in Bologne and in Lille, then Handel\u2019s Giulio Cesare at the Th\u00e9\u00e2tre des Champs-\u00c9lys\u00e9es.<br>\nIn 2007, she was invited to the Teatro Real in Madrid to direct Il Burbero de buon cuore by Martin y Soler. This production was then reprised in 2011 in Barcelona.<\/p>\n\n\n\n<p>Since 2009, her theatre company has continued breathing life into its shows: Une Odyss\u00e9e,En attendant le songe and Somewhere\u2026 la Mancha. The latest show is Temp\u00eate ! based on Shakespeare\u2019s The Tempest.<br>\nIn 2010, Irina presented her new production at the Mama in New York: Shakespeare\u2019s sister ou la vie mat\u00e9rielle, adapted from writings by Marguerite Duras and Virginia Woolf and accompanied by original music by Sadie Jemmett, one of the show\u2019s performers.<br>\n2011 saw the production of PAN, her version of Peter Pan, at the Th\u00e9\u00e2tre de Paris.<br>\nIn July 2012, Irina was invited by the Salzbourg Festival to direct Ibsen\u2019s Peer Gynt, and to perform Temp\u00eate !.<br>\nIn 2013, Irina reinvented her company, which took the name Irina\u2019s Dreamtheatre in collaboration with the producer-literary agents Marie C\u00e9cile Renauld and Marie-Astrid P\u00e9rimony.<br>\nIn January 2013, she invited the cast of Shakespeare\u2019s sister ou la vie mat\u00e9rielle to rework the show, this time in French, for a short French tour organised by the Maison de la Culture in Nevers and the Ni\u00e8vre. The show was then reprised in September \/ October 2013 in New York.<\/p>\n\n\n\n<p>Irina\u2019s Dreamtheatre was invited to the 2013 Spoleto Festival with its latest production: La Trilogie des \u00celes (The islands trilogy) [Odyss\u00e9e, Temp\u00eate! and L\u2019\u00cele des esclaves], where the company was awarded the Air France prize for most original stage direction.<\/p>\n\n\n\n<p>It was in January 2014 that Irina Brook was appointed Artistic Director of the Th\u00e9\u00e0tre National of Nice, Centre Dramatique National Nice C\u00f4te d\u2019Azur.<\/p>\n\n\n\n<p>In June of that year she reprised Odyssey performing in various gardens and museums around Nice. In September 2014, she staged Ibsen\u2019s Peer Gynt \u2013 the show was also performed at the London Barbican Centre in the October and continued to tour throughout 2016. In January 2015, she directed Shakespeare\u2019s Sister (La Vie Mat\u00e9rielle) by Virginia Woolf and Marguerite Duras, a production that also went on tour in 2016. She staged Hov Showwith the actor Hovnatan Avedikian in December 2014 and reprised Temp\u00eate! based on Shakespeare (February 2015).<br>\nIrina Brook also directed two operas by Gaetano Donizetti: L\u2019Elisir d\u2019Amore at the Deutschesopera in Berlin in April 2014 and Don Pasquale at the Venice Opera in April 2015.<br>\nDuring the 2015-16 season, she continued with Hov Show, produced Terre Noire (Black Earth) by Stefano Massimi, Lampedusa Beach by Lina Prosa, with Romane Bohringer and created the Reveillons-Nous! (Wake Up!) Festival in November \/ December 2015, based on the COP21.<\/p>\n\n\n\n<p>During the last season \u2013 2016\/17 \u2013 Irina directed Point d\u2019Interrogation, (Question Mark) a show that was performed between November 18th and 26th 2016. Terre Noire was reprised in January 2017 before leaving on tour, as well as Lampedusa Beach, in January 2017. On November 12, 2016, Irina organized an innovative, day-long marathon (My Body, My Planet) that gave centre stage to local players in the fields of renewable energy, organic and locally produced food, alternative solutions for our well-being &amp; health.. all with the common goal of being both respectful of the environment and of human-beings. The day was a resounding success, attracting 3000 visitors!<\/p>\n\n\n\n<p>1998   Five prizes at the Moli\u00e8re awards, (including Best Director and Best Private Theatre Play), for the show Une B\u00eate sur la lune<br> 1999   Mitrani prize at the FIPA<br> 2000   Moli\u00e8re for Best Female Newcomer as well as the SACD prize for Emerging Talent<br> 2002   Irina Brook is named a Chevalier des Arts et des Lettres by the Ministry of Culture<br> 2013   Air France prize for innovation and French culture overseas<br> 2016   Irina Brook is named Officier de l\u2019ordre des Arts et des Lettres.<br> 2017   Chevalier dans l\u2019Ordre National de la L\u00e9gion d\u2019Honneur.<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>Fundaci\u00f3n Shakespeare Argentina interviews Irina Brook Watch the video: The interview with Irina took place in Prague (Czech Republic) last January during the Shakespeare Theatre Association 2019 Conference, organised by Prague Shakespeare Company. Thanks Irina! We also wish to thank STA and Prague Shakespeare Company. Here we share a video where famous football players recite [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5292,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[135,222,219,233,249,14],"tags":[],"class_list":{"0":"post-5203","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-activities","8":"category-interviews","9":"category-library","10":"category-news","11":"category-recent-activities-en","12":"category-sin-categoria-en"},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2019\/02\/Irina-FSA.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6elWy-1lV","_links":{"self":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/5203"}],"collection":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/comments?post=5203"}],"version-history":[{"count":4,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/5203\/revisions"}],"predecessor-version":[{"id":5211,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/5203\/revisions\/5211"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media\/5292"}],"wp:attachment":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media?parent=5203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/categories?post=5203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/tags?post=5203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}