{"id":6267,"date":"2020-12-14T19:17:42","date_gmt":"2020-12-14T19:17:42","guid":{"rendered":"https:\/\/shakespeareargentina.org\/?p=6267"},"modified":"2021-04-07T23:58:38","modified_gmt":"2021-04-07T23:58:38","slug":"shakespeare-at-teatro-colon","status":"publish","type":"post","link":"https:\/\/shakespeareargentina.org\/en\/shakespeare-at-teatro-colon\/","title":{"rendered":"Shakespeare at Teatro Col\u00f3n"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\"><p>Since the inauguration of the <strong>Teatro Col\u00f3n<\/strong> of Buenos Aires in 1908, the works of William Shakespeare was represented hundred of times through operas, music, ballets and wonderful pieces based on Shakespeare\u00b4s work. The most represented were the Operas inspired by him such as <em>Romeo and Juliet<\/em>\u00a0by Charles Gounod, <em>Falstaff, (based on The Merry wifes of \u00a0Windsor, and Henry IV), Macbeth <\/em>\u00a0and\u00a0<em>Otello<\/em> by Giuseppe Verdi, <em>Hamlet<\/em> by Thomas Ambroise, <em>Beatrice and Benedict<\/em>\u00a0(inspired on\u00a0<em>Much Ado About Nothing<\/em>) by H\u00e9ctor Berlioz and\u00a0<em>A Midsummer\u00b4s Night Dream by\u00a0<\/em>Benjamin Britten, among other.<\/p>\n<p>Most of them were represented at the Col\u00f3n in more than a dozen of seasons but the most popular was <em>Falstaff<\/em> represented more than twenty seasons in the history of the theatre.<\/p>\n<p>Following we share some memorables productions inspired by Shakespeare performed at Teatro Col\u00f3n:<\/p>\n<p><strong>1908\u00a0<\/strong><\/p>\n<p><strong>AMLETO &amp; OTELLO<\/strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6193\" src=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908.jpg\" alt=\"\" width=\"736\" height=\"1364\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908.jpg 736w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908-162x300.jpg 162w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908-553x1024.jpg 553w\" sizes=\"(max-width: 736px) 100vw, 736px\" \/><\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #808080;\"><em>Image of the Programme of Teatro Col\u00f3n in 1908<\/em><\/span><\/strong><\/p>\n<p>On the same year of the inauguration, in 1908, the Opera\u00a0<strong>Hamlet (<em>Amleto<\/em>)<\/strong> <strong>by Thomas Ambroise,\u00a0<\/strong>Jules Barbier &amp; Michel Carre and<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6195\" src=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908-2.jpg\" alt=\"\" width=\"1536\" height=\"1410\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908-2.jpg 1536w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908-2-300x275.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908-2-1024x940.jpg 1024w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Hamlet-Colon-1908-2-768x705.jpg 768w\" sizes=\"(max-width: 1536px) 100vw, 1536px\" \/><strong><em>Otello by<\/em>\u00a0Giuseppe Verdi<\/strong>\u00a0and Arrigo Boito, were performed by the <em>Gran Compa\u00f1\u00eda L\u00edrica Italiana<\/em> directed by Luigi Mancinelli. <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6199\" src=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Otelo-Colon-1908.jpg\" alt=\"\" width=\"1536\" height=\"1390\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Otelo-Colon-1908.jpg 1536w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Otelo-Colon-1908-300x271.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Otelo-Colon-1908-1024x927.jpg 1024w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/Otelo-Colon-1908-768x695.jpg 768w\" sizes=\"(max-width: 1536px) 100vw, 1536px\" \/><\/p>\n<p><a href=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/1908-Hamlet-Amleto-de-Ambroise-Thomas.pdf\">See\u00a0<\/a><a href=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/1908-Hamlet-Amleto-de-Ambroise-Thomas.pdf\">Programme \u00a01908-Hamlet-Amleto<\/a><\/p>\n<p><a href=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/1908-Otello-de-Giuseppe-Verdi-1.pdf\">See Programme 1908-Otello<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>1953<\/strong><\/p>\n<p><strong>EL SUE\u00d1O DE UNA NOCHE DE VERANO<\/strong><\/p>\n<p>The delicious play\u00a0<em>A Midsummer\u00b4s Night Dream<\/em>\u00a0was represented\u00a0at Teatro Col\u00f3n directed by the oustanding \u00a0Director\u00a0<strong>Antonio Cunill Cabanellas (1894-1969) one of the most prestigios figure of the national stage. He was the\u00a0<\/strong><b>first\u00a0<\/b>director of the <em>Teatro Nacional de la Comedia<\/em> at the Teatro Cervantes (1935-1941) and also founder in 1936 of the<em> Instituto Nacional de Estudios de Teatro, (INET<\/em>). He was Director of the <em>Teatro General San Mart\u00edn<\/em> of the city of Buenos Aires.\u00a0The Department of Dramatic Arts of the <em>Instituto Universitario Nacional de Artes<\/em>, \u00a0and one the halls of the teatro San Mart\u00edn are named after him.\u00a0Here we share a pictures of the excellent la review published on the newspaper Democracia on April 21 1953<strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6214\" src=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/El-Sueno-en-el-Colon-1953-Diario.jpg\" alt=\"\" width=\"1400\" height=\"1662\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/El-Sueno-en-el-Colon-1953-Diario.jpg 1400w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/El-Sueno-en-el-Colon-1953-Diario-253x300.jpg 253w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/El-Sueno-en-el-Colon-1953-Diario-863x1024.jpg 863w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/El-Sueno-en-el-Colon-1953-Diario-768x912.jpg 768w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/El-Sueno-en-el-Colon-1953-Diario-1294x1536.jpg 1294w\" sizes=\"(max-width: 1400px) 100vw, 1400px\" \/><\/strong>The greatly admired Argentin actor Pepe Soriano was part of the cast and has his debut as a profesional actor in this amazing production.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1962<\/strong><\/p>\n<p><strong>A MIDSUMMER NIGHT\u00b4S DREAM\u00a0<\/strong><\/p>\n<p>\u00d3pera in three acts by Benjamin\u00a0Britten and Peter Pears, presented in Sudamerica for the first time with the corus and <em>Orquesta Estable del Teatro Col\u00f3n<\/em> in Julio de 1962 dirigida por\u00a0Basil Coleman y Meredith Davies.<strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6258\" src=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/Britten-CD.jpg\" alt=\"\" width=\"1400\" height=\"621\" srcset=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/Britten-CD.jpg 1400w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/Britten-CD-300x133.jpg 300w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/Britten-CD-1024x454.jpg 1024w, https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/12\/Britten-CD-768x341.jpg 768w\" sizes=\"(max-width: 1400px) 100vw, 1400px\" \/><\/strong><em>CD Edited in Germany in 2014 from the Teatro Col\u00f3n in Buenos Aires in 1962<\/em><\/p>\n<p><strong>1999<\/strong><\/p>\n<p class=\"titulo-ficha\"><strong>OTELLO <\/strong>Opera in four acts (1887)\u00a0by Giuseppe Verdi and Arrigo Boito<\/p>\n<p>Listen the opera\u00a0presented at the Teatro Col\u00f3n on April 1999:<\/p>\n<p><iframe loading=\"lazy\" title=\"Archivo Histo\u0301rico | Otello (1999)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/QO_uLfYaQgE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>See more: <a href=\"https:\/\/teatrocolon.org.ar\/es\/culturaencasa\/archivo-historico\/otello-1999\">https:\/\/teatroc<\/a><a href=\"https:\/\/teatrocolon.org.ar\/es\/culturaencasa\/archivo-historico\/otello-1999\">olon.org.ar\/es\/culturaencasa\/archivo-historico\/otello-1999<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>2014 <\/strong><\/p>\n<p><strong>FALSTAFF<\/strong><\/p>\n<p>\u00d3pera Directed by Roberto Paternostro<\/p>\n<p>Watch the video:<\/p>\n<p><iframe loading=\"lazy\" title=\"Primer acto | Falstaff | Teatro Col\u00f3n de Buenos Aires\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/tpv7rWiPtiU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/youtu.be\/tpv7rWiPtiU\">https:\/\/youtu.be\/tpv7rWiPtiU\u00a0<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>2015<\/strong><\/p>\n<p><strong><em>MACBETH<\/em><\/strong><strong>, by\u00a0<\/strong><strong>Giuseppe Verdi adaptated by Brett Bailey<\/strong><strong>\u00a0on the\u00a0<\/strong><strong>Festival Internacional de Buenos Aires (FIBA) at the Teatro Col\u00f3n <\/strong><\/p>\n<p><strong>Brett Bailey<\/strong>\u00a0is a dramatist and director of the <em>Third World Bunfight<\/em>:<\/p>\n<p><iframe loading=\"lazy\" title=\"FIBA - Brett Bailey te invita a ver Macbeth\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ZL0ym8QpkKM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Watch the trailer: <a href=\"https:\/\/youtu.be\/14JRzvIgYEo\">https:\/\/youtu.be\/14JRzvIgYEo<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>2016\u00a0<\/strong><\/p>\n<p><strong>THE TEMPEST SONGBOOK\u00a0<\/strong><\/p>\n<p>See more: <a href=\"https:\/\/teatrocolon.org.ar\/es\/temporada-2016\/opera-de-camara\/produccion\/tempest-songbook\">https:\/\/teatrocolon.org.ar\/es\/temporada-2016\/opera-de-camara\/produccion\/tempest-songbook<\/a><\/p>\n<div class=\"field field--name-field-description-productions field--type-text-with-summary field--label-visually_hidden\">\n<div><\/div>\n<div><strong>2017<\/strong><\/div>\n<div>\n<p><strong>THE BAN OF LOVE\u00a0<\/strong>\u00d3PERA IN TWO ACTS (1836)\u00a0<strong>MUSIC BY RICHARD WAGNER <\/strong>INSPIRED ON\u00a0<em>MEASURE FOR MEASURE\u00a0<\/em>\u00a0See more: <a href=\"https:\/\/teatrocolon.org.ar\/en\/season-2017\/opera\/produccion\/ban-love\">https:\/\/teatrocolon.org.ar\/en\/season-2017\/opera\/produccion\/ban-love<\/a><\/p>\n<\/div>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"La prohibici\u00f3n de amar | Oliver von Dohnanyi\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/_sOmztvFL-g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>2018<\/strong><\/p>\n<p><strong>ROMEO AND JULIET (Ballet)\u00a0<\/strong><\/p>\n<p><strong>Farewell of the great Argentin dancer I\u00f1aki Urlezaga\u00a0with Lauren Cuthbertson, first dancer invited from London Royal Ballet \u00a0<\/strong><\/p>\n<p>BALLET IN THREE ACTS (1938)<br \/>\nBASED ON WILLIAM SHAKESPEARE\u2019S PLAY<br \/>\nCHOREOGRAPHY BY KENNETH MACMILLAN<br \/>\nSUSAN JONES\u2019 CHOREOGRAPHIC REVIVAL<br \/>\nNEW PRODUCTION OF TEATRO COL\u00d3N<\/p>\n<p>Premiered by the Royal Ballet in 1965 with Rudolf Nureyev and Margot Fonteyn as protagonists, Romeo and Juliet was Kenneth MacMillan&#8217;s signature play. To Shakespeare&#8217;s tragedy and Prokoviev&#8217;s music, the legendary English choreographer and dancer&#8217;s language, which is stark (away from fairy tales) but highly poetic, is added. MacMillan&#8217;s work is one of the essential titles in the ballet repertoire. A hypnotic piece well-known but which catches us every time as if it was the first one.<\/p>\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/BoCzMmSAf2l\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"13\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\">\n<div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/BoCzMmSAf2l\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <\/p>\n<div style=\" display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> View this post on Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p><\/a><\/p>\n<p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/BoCzMmSAf2l\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Teatro Col\u00f3n (@teatrocolon)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<p>Watch the video:<\/p>\n<p><iframe loading=\"lazy\" title=\"Romeo &amp; Julieta | Lauren Cuthbertson\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/DsLPtIgJNq0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>See more:<\/p>\n<p><a href=\"https:\/\/teatrocolon.org.ar\/en\/season-2018\/ballet\/produccion\/romeo-juliet\">https:\/\/teatrocolon.org.ar\/en\/season-2018\/ballet\/produccion\/romeo-juliet<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>We share the words of <em>Turismo Cultura Buenos Aires<\/em>:<\/p>\n<p><em>Teatro Col\u00f3n is considered one of the best opera houses in the world, together with La Scala in Mil\u00e1n, the Opera Garnier in Paris and the Royal Opera House in London.\u00a0<\/em><em>Designed by Francesco Tamburini, Victor Meano and Jules Dormal, and built over 20 years, the theatre opened in 1908 and went on to host some of the most important conductors, singers and dancers of the twentieth century, including Igor Stravinsky, Herbert von Karajan, Daniel Barenboim, Maria Callas, Luciano Pavarotti, Pl\u00e1cido Domingo, Rudolf Nureyev, Julio Bocca and Maximiliano Guerra.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Take a virtual visit:\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"#TurismoCulturaBA | Teatro Col\u00f3n\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ZNoUcwRotis?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>See more on this link:\u00a0<a href=\"https:\/\/turismo.buenosaires.gob.ar\/es\/article\/turismoculturalba-1-teatro-col%C3%B3n\">\u00a0virtual visit<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>More information:<\/p>\n<p><a href=\"https:\/\/teatrocolon.org.ar\/en\">https:\/\/teatrocolon.org.ar\/en<\/a><\/p>\n<p><a href=\"https:\/\/turismo.buenosaires.gob.ar\/en\/otros-establecimientos\/teatro-col\u00f3n\">https:\/\/turismo.buenosaires.gob.ar\/en\/otros-establecimientos\/teatro-col\u00f3n<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Thanks Teatro Col\u00f3n, Centro de Documentaci\u00f3n del Teatro Col\u00f3n, Centro de Documentaci\u00f3n del Teatro San Mart\u00edn and Gobierno de la Ciudad de Buenos Aires for the valuable<\/strong><strong>\u00a0material and the images share from their archives and\u00a0social networks.<\/strong><\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>Since the inauguration of the Teatro Col\u00f3n of Buenos Aires in 1908, the works of William Shakespeare was represented hundred of times through operas, music, ballets and wonderful pieces based on Shakespeare\u00b4s work. The most represented were the Operas inspired by him such as Romeo and Juliet\u00a0by Charles Gounod, Falstaff, (based on The Merry wifes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[212,220,216,219,233,218],"tags":[],"class_list":{"0":"post-6267","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-argentina-en","8":"category-articles","9":"category-history","10":"category-library","11":"category-news","12":"category-theater"},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2020\/10\/teatro_colon_fachada_noche_gente_1500x610_0.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6elWy-1D5","_links":{"self":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/6267"}],"collection":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/comments?post=6267"}],"version-history":[{"count":2,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/6267\/revisions"}],"predecessor-version":[{"id":6374,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/6267\/revisions\/6374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media\/6190"}],"wp:attachment":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media?parent=6267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/categories?post=6267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/tags?post=6267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}