{"id":7469,"date":"2022-05-23T16:33:08","date_gmt":"2022-05-23T16:33:08","guid":{"rendered":"https:\/\/shakespeareargentina.org\/?p=7469"},"modified":"2022-05-23T16:38:20","modified_gmt":"2022-05-23T16:38:20","slug":"new-book-onscreen-allusions-to-shakespeare","status":"publish","type":"post","link":"https:\/\/shakespeareargentina.org\/en\/new-book-onscreen-allusions-to-shakespeare\/","title":{"rendered":"New book: &#8220;Onscreen Allusions to Shakespeare&#8221;"},"content":{"rendered":"<span class=\"cb-itemprop\" itemprop=\"reviewBody\"><p>We are glad to announce the new book &#8220;<strong>Onscreen Allusions to Shakespeare: International Films, Television and Theatre&#8221;<\/strong>\u00a0edited by Dr. Alexa Alice Joubin, member of our International Advisory Board, and Victoria Blanden.<\/p>\n<p><strong>About this book<\/strong><\/p>\n<div id=\"about-book-content\" class=\"c-book-section\">\n<p><em>Allusions to Shakespeare<\/em> haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. Shakespeare\u2019s plays and motifs have been appropriated in fragmentary forms onstage and onscreen since motion pictures were invented in 1893. This collection of essays extends beyond a US-UK axis to bring together an international group of scholars to explore Shakespearean appropriations in unexpected contexts in lesser-known films and television shows in India, Brazil, Russia, France, Australia, South Africa, East-Central Europe and Italy, with reference to some filmed stage works.<\/p>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-7460 aligncenter\" src=\"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2022\/05\/Alexa.jpg\" alt=\"\" width=\"571\" height=\"850\" \/><\/p>\n<div id=\"about-book-content\" class=\"c-book-section\">\n<p><strong>Table of Contents<\/strong><\/p>\n<p>Introduction to Onscreen Allusions to Shakespeare by Alexa Alice Joubin and Victoria Bladen<\/p>\n<p>The Boundaries of Citation: Shakespeare in Davide Ferrario\u2019s\u00a0<em>Tutta colpa di Giuda<\/em>\u00a0(2008), Alfredo Peyretti\u2019s\u00a0<em>Moana<\/em>\u00a0(2009), and Connie Macatuno\u2019s\u00a0<em>Rome<\/em>\u00a0<em>and Juliet<\/em>\u00a0(2006) by Maurizio Calbi<\/p>\n<p>Antipodean Shakespeares: Appropriating Shakespeare in Australian Film by Victoria Bladen<\/p>\n<p><em>Othello<\/em>\u00a0Surfing: Fragments of Shakespeare in South Africa by Chris Thurman<\/p>\n<p>Shakespeare in Bits and Bites in Indian Cinema by Poonam Trivedi<\/p>\n<p>What \u201cDoth Grace for Grace and Love for Love Allow\u201d? Recreations of the Balcony Scenes on Brazilian Screens by Aimara da Cunha Resende<\/p>\n<p>\u201cMon Petit Doigt M\u2019a Dit \u2026\u201d: Referencing Shakespeare or Agatha Christie? by Nathalie Vienne-Guerrin<\/p>\n<p>Shakespeare\u2019s\u00a0<em>Julius Caesar<\/em>\u00a0in Federico Fellini\u2019s\u00a0<em>Roma<\/em>\u00a0by Mariacristina Cavecchi<\/p>\n<p>\u201cStill Our Contemporary\u201d in East-Central Europe? Post-Socialist Shakespearean Allusions and Frameworks of Reference by M\u00e1rta Minier<\/p>\n<p>Soviet and Post-Soviet References to\u00a0<em>Hamlet<\/em>\u00a0on Film and Television by Boris N. Gaydin, Nikolay V. Zakharov<\/p>\n<p>Afterword by Mark Thornton Burnett<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Read an excerpt on the following link:<\/strong><\/p>\n<p><a href=\"https:\/\/ajoubin.org\/wp-content\/uploads\/2022\/05\/Joubin-Onscreen-Allusion.pdf\">https:\/\/ajoubin.org\/wp-content\/uploads\/2022\/05\/Joubin-Onscreen-Allusion.pdf<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>See more:<\/strong><\/p>\n<p><a href=\"https:\/\/globalshakespeares.mit.edu\/extra\/when-films-allude-to-shakespeare\/?fbclid=IwAR3yZKG3dAnUHgyaUCcxWHlFjEx2Vfe8-uvKHqxqfIKKHSDZfci7d8C6dyE\"> https:\/\/globalshakespeares.mit.edu\/extra\/when-films-allude-to-shakespeare\/?fbclid=IwAR3yZKG3dAnUHgyaUCcxWHlFjEx2Vfe8-uvKHqxqfIKKHSDZfci7d8C6dyE<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><b>Alexa Alice Joubin<\/b> is founding Co-Director of the Digital Humanities Institute and Professor of English, Women\u2019s, Gender and Sexuality Studies, Theatre, East Asian Languages and Literatures, and International Affairs at George Washington University in Washington, D.C., USA. Her latest book is Shakespeare and East Asia (2021).<\/p>\n<p><b>Victoria Bladen<\/b> teaches literary studies and adaptation at the University of Queensland, Australia. Her latest book is The Tree of Life and Arboreal Aesthetics in Early Modern Literature (2021).<\/p>\n<\/div>\n<\/span>","protected":false},"excerpt":{"rendered":"<p>We are glad to announce the new book &#8220;Onscreen Allusions to Shakespeare: International Films, Television and Theatre&#8221;\u00a0edited by Dr. Alexa Alice Joubin, member of our International Advisory Board, and Victoria Blanden. About this book Allusions to Shakespeare haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. Shakespeare\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7461,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[223,219,233],"tags":[],"class_list":{"0":"post-7469","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"category-library","9":"category-news"},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/shakespeareargentina.org\/wpx\/wp-content\/uploads\/2022\/05\/Alexa.jpg","jetpack_shortlink":"https:\/\/wp.me\/p6elWy-1Wt","_links":{"self":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/7469"}],"collection":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/comments?post=7469"}],"version-history":[{"count":3,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/7469\/revisions"}],"predecessor-version":[{"id":7472,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/posts\/7469\/revisions\/7472"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media\/7461"}],"wp:attachment":[{"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/media?parent=7469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/categories?post=7469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shakespeareargentina.org\/en\/wp-json\/wp\/v2\/tags?post=7469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}